Monday, April 10, 2006
By RANDY KENNEDY @ New York Times
Staring out a wall of windows into a foggy Reykjavik afternoon, Bjork searched for an image to describe a man with whom she had just spent a year making a movie and composing a two-and-a-half-hour soundtrack, the longest and perhaps most ambitious musical project of her career.
She had been in Iceland for several days, so the English language was hitting her at odd angles, but she finally found the word she was looking for.
"He's a bit of a submarine," she said, and grinned.
It was an apt description, not only because the man in question — Matthew Barney, the artist and filmmaker and Bjork's boyfriend for almost six years — operates at a kind of deep-sea level, silently (he dreads talking about his work) dredging up fantastical and sometimes fearsome creatures from the dark ocean bed of human consciousness. The image also fits nicely with the movie itself, "Drawing Restraint 9," which might best be described as a conceptual-nautical-ritual romance, or maybe a Shinto-shipboard-sculptural tryst.
Posted by David Emerick at 9:36 AM