Wednesday, November 28, 2007
Tuesday, November 27, 2007
By MARTHA SCHWENDENER @ New York Times
Bright letters announce “New Photography 2007” on a wall outside the Museum of Modern Art’s photography galleries. Just inside is a room of vintage-looking black-and-white photographs. Contemporary photographers are showing a strong interest in early photography, so your first thought is that the curator has unearthed someone recycling the ideas and methods of Eadweard Muybridge, Alfred Stieglitz or Clarence White.
But no. These are pictures by Muybridge, Stieglitz and White. Keep walking; the annual showcase of emerging photographers is in the next room. After that accidental spark of excitement, though, the show itself is something of a letdown.
Posted by David Emerick at 2:46 PM
Tuesday, November 13, 2007
"The emperor has new clothes. Introducing Naked light. Non-destructive image editing. Node-based compositing. Live filters. High-end tools. And infinite resolution. It's image editing, re-invented."
Hmmmm... looks interesting. A public beta is available for download here, but beware it comes with a pretty hefty warning.
"Had I known people would've been this interested, I would've delayed the beta another week or so—this is still probably much closer to an alpha."
Posted by David Emerick at 11:22 AM
Monday, November 12, 2007
Larry Lessig gets TEDsters to their feet, whooping and whistling, following this elegant presentation of "three stories and an argument." The Net's most adored lawyer brings together John Philip Sousa, celestial copyrights, and the "ASCAP cartel" to build a case for creative freedom. He pins down the key shortcomings of our dusty, pre-digital intellectual property laws, and reveals how bad laws beget bad code. Then, in an homage to cutting-edge artistry, he throws in some of the most hilarious remixes you've ever seen.
Comment @ TED
Posted by David Emerick at 1:53 PM
Wednesday, November 07, 2007
Christian Patterson posts about the certification of the color Dageurreotype.
"Reverand Levi Hill’s claim in 1851 to have produced naturally colored daguerreotypes, or Hillotypes, has been proved true, according to research by the Smithsonian National Museum of American History, Getty Conservation Institute, and the Getty Foundation."
Posted by David Emerick at 4:17 PM
Thursday, November 01, 2007
Pirate of the Guggenheim! How Richard Prince stole his way into the art world's heart.
by R.C. Baker @ The Village Voice
If you once sent Easyriders magazine a snapshot of your old lady astride your hog (a pre-Internet way to pimp both your rides), don't be surprised to see her on the Guggenheim's curvaceous walls. Richard Prince's rotunda-filling retrospective includes paintings, sculptures, off-kilter gag panels, and his early-'90s series of workaday beauties rephotographed from the motorcycle mag's back issues, the coarse-grained enlargements heightening the down-market spectacle of breasts popping out of leather vests.
Posted by David Emerick at 3:57 PM