Australian and Japanese artists explore the ambiguity of time, memory and reality
By ASHLEY RAWLINGS
Special to The Japan Times
Henri Cartier-Bresson's legacy of the "decisive moment" had a profound impact on photography. As a cofounder of the photographic cooperative Magnum Photos in 1947, his philosophy influenced a whole generation of photojournalists, and, for decades, Magnum photographers were instrumental in constructing the popular impression of reality. They crafted a collective memory of history as a set of succinct narratives told through images captured in the briefest of instants.
echnology and developments in "photomedia" since the '80s, contemporary artists have rethought the role of time in photography. With this in mind, the curators of "Trace Elements: Spirit and Memory in Japanese and Australian Photomedia" have brought together 10 artists from Australia and Japan for a heady exhibition that is meant to address the notion of photomedia as a "memory- creation device."