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by Leslie Camhi @ The Village Voice
The gap between intention and effect" was what Diane Arbus said she aimed for when, facing a person, she raised her camera and clicked the shutter—the distance (at times considerable) that separates someone's self-image from the way they look to others. In a transvestite's heavy chin or the jauntily painted eyebrows of two elderly coquettes at the Automat, she found a pathos linking them to a broader humanity.
The Dutch photographer Rineke Dijkstra focuses on something a bit different: those unguarded moments when the inchoate longings and the realities of youth collide.
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