Tuesday, January 30, 2007
by Pedro Meyer @ zonezero
In the picture above we are in front of a painting that was presented at the Shanghai Biennial of Art in 2006. The painting is based on the perceptions associated with photography, to the extent that the men depicted in the painting appear in a pose usually associated with portrait photography. If we have any doubts about that, just behind these three Chinese gentlemen, you will find another painting depicting a man in the process of taking a photograph of precisely those same three men in the foreground of the painting. Now mind you, you are in fact looking at all of this through a photograph which is the one that is looking at the overall painting. We have the back and forth echoes between photography and painting that is the subject of this editorial.
Posted by David Emerick at 3:38 PM